Tag Archives: eco fashion

Ethical Fashion: How to Navigate the Industry

Zaroff In the final part of this series with Eco-fashion pioneer Marci Zaroff, I wanted to turn to the question of what it will take to really change the textile industry, what regulations need to be instituted, and in what ways we can empower ourselves to navigate through the many contradictions of what is indeed, a very complex industry.

Nadia: I would really love to hear what you think about the rise of Eco/sustainable fashion alongside the rise of ‘fast fashion,’ which encourages fast and disposable consumption of cheap clothing. How do we shift the cultural paradigm from this type of consumption to one that is slower and more responsible?

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Taking it to the streets. More than 300,000 people signed up to join the ‘Detox Zara’ campaign, which successfully resulted in Zara committing to go toxic-free by 2015.

Marci: The key is education, and that comes from driving awareness to consumers, retailers, media and buyers. And while deeper shifts are often more effective coming from top-down decision makers, passionate champions within a company and/or consumer demand (especially ignited by social & viral media) can affect positive change as well. Leveraging editors and celebrities, who are already conscious about their lifestyle choices can also be very powerful. I am partnered with the Environmental Media Association, which works successfully within the television & film entertainment industry to create messaging about environmental issues. And consumers can indeed make a difference! Just look at Greenpeace’s Toxic-Free Fashion Campaign that has galvanized the global fashion industry, propelling International brands as big as Levi’s and Zara to commit to a toxic-free future.

Nadia: Sustainable, Eco-fashion has definitely gained steam in the past two decades, but it doesn’t seem to have really permeated our consciousness like organic food has. What would you say are the three biggest stigmas of Eco-Fashion?

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Far from frumpy. Eco-fashion label Noir‘s sexy collection at 2009 London Fashion Week.

Marci: The first stigma would be that to adopt Eco-Fashion, one must give up style or quality. Similar to the early years of the organic food movement, when organic food was associated with granola, today, when people hear the term ‘organic or Eco fashion,’ they often still conjure an image of boxy, frumpy, boring, beige, rough-to-the-hand wares. But just as organic & natural food is now a far cry from just brown rice, as witnessed by walking into any Whole Foods Market, Eco-Fashion is no longer hippie, but instead, very hip! Yes, in the early years of Eco-Fashion, there were limitations to designs in terms of fabrics we could use. And of course, there wasn’t as high of a demand, so pricing was more challenging, and there were fewer factories willing to be innovative and work out-of-the-box. But the industry has come a very long way, and is still a work-in-progress.

In fact, the second stigma, that Eco-Fashion costs a lot more, is also no longer true. Efficiencies and economies of scale have been met and further, vertically integrated supply chains have been built from farm all the way to finished product. That is how Under the Canopy has been so successful bringing affordable accessible product collections to market. We have cut out a lot of the excess markups and middlemen, so that the consumer gets a product that is priced competitively and has the added value of being sustainable and ethically made.

That leads me to the third biggest stigma: how can one truly believe that their product is authentic? This is where certification, as well as brand integrity and commitment are paramount.  Understanding how to navigate a supply chain, while crossing T-s and dotting I’s via traceability and transparency, is an absolute key to success.

Nadia: Well, and one of the arguments for sustainable clothing is that unlike fast fashion, where the clothes tend to be cheap and we have little to no connections with the people who made it, we’re less likely to buy sustainably made clothes in excess and toss it out when we’re sick of it, right? I mean, that’s kind of the realization I came to this past summer when I was cleaning out my apartment.

Project Runway's season five winner, Leanne Marshall, used sustainable materials for her final dress, helping to create awareness for eco-fashion.

Project Runway’s season five winner, Leanne Marshall, used sustainable materials for her final runway collection, helping to create mainstream awareness for Eco-fashion.

Marci: Because of the past roadblocks in accessibility, affordability and authenticity, Eco-Fashion was much more limited. But with a growing market for Eco-Fashion driven by consumer demand and industry-wide collaborations, more retailers and manufactures can have access to eco-friendly materials and manufacturing processes, and they will be more likely to support this shift in paradigm.

Because Ethical fashion is becoming more “fashionable”, and companies know that it’s no longer about staying ahead, but instead, it’s about not being left behind, there is a concern from many consumers that some companies are ‘going green’ to make their products more marketable. That is why consumers must be discerning as to what products, brands and companies they buy and support.

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Real charity or just clever marketing? Gap was accused of using marketing campaigns such as this one to detract from its many sweatshop abuses.

Nadia: That’s a concern I have had in the past and still have. And it’s not just with ‘going green,’ it’s with other aspects of social responsibility, that I feel companies sometimes will adopt marketing strategies to make their companies look better, when really they’re not being completely transparent. For example, I remember the controversy when Gap came out with their Red line, which donated a small portion of their proceeds from that line to Aids in Africa. There were anti-sweatshop activists who were upset that a company known for its abuse of workers would use a cause such as Aids to appear socially responsible. How can consumers navigate through these contradictions?

Marci: I think that this lack of transparency can really discourage people from being conscious consumers, because they don’t know what to believe. And in the Eco-fashion world, we’ve seen a lot of greenwashing, a practice by which a corporation will display insincere concern for the environment in an attempt to further their own agenda and reputation. Historically, it’s been a challenge to differentiate between which certifications are actually being monitored and accredited by third party certifiers, and there is still a huge disconnect in the consumers’ mind about which certifications matter. There’s a great website called the Seven Sins of Greenwashing that reveals the falsity of a lot of these labeling claims, including ‘all-natural’ (which means nothing – unlike organic, which is a legal word with very specific meaning) or calling something ‘green’ just because it contains one environmental attribute.

The importance of full transparency.

The importance of full transparency.

Nadia: Could you give us some examples of greenwashing in the textile industry?

Marci: Sure, I’ll give two. Bamboo is a perfect example, because it was marketed as the poster child of Eco-Fashion, but really, it is absolutely NOT sustainable as a material. Bamboo, when grown, is a renewable plant and actually very sustainable when used for flooring and furniture. But when you break it down into a textile, you must use enormous amounts of chemicals, which, in the end, leave only traces of bamboo. This process emits a magnitude and multitude of toxic chemicals into the air and water, and in doing so, destroys the sustainable aspects of the bamboo.  It is essentially no different from Rayon, which is a synthetic. Once the FTC (Federal Trade Commission) received complaints along these lines, they did some research and slapped lawsuits on many of the companies that were marketing bamboo textiles, making them change their labels and packaging to say ‘Rayon made from bamboo.’

Another example of greenwashing is when companies sell their products as ‘organic’ when their fabrics only contain a small percentage of organic cotton. Banana Republic, as an example, got caught marketing clothes as organic cotton when really they only contained about 5% organic cotton! “Organic” is NOT a marketing proposition; it is a methodology in agriculture and a federally-regulated term.

Nadia: Doesn’t Nike make those claims as well?

Marci: Nike is different because they are fully transparent. Unless a product isn’t 100% organic cotton, they won’t label it as organic. Believe it or not, Nike has been a true leader and pioneer in the organic cotton industry, and they have consistently been one of the largest buyers of organic cotton for over a decade. They were a founding member (along with Under the Canopy) of the Textile Exchange (formerly the Organic Exchange) and their efforts to shift the textile industry have been invaluable. Check out their recently released YouTube video:

Nadia: I know that you have launched organic/sustainable fiber initiatives in top retailers such as Whole Foods Market, Macy’s, Target, Bed Bath & Beyond. How committed are you to this idea of accessibility, in the sense that these companies may also be selling products that conflict with sustainability?

Marci: I am extremely committed to accessibility. I believe in the saying, “The journey of a thousand miles begins with one step.”  Therefore, every positive effort to offer consumers authentic sustainable choices is a step in the right direction. At the same time, this is where compliance and labeling are critical. As with the Banana Republic and Nike examples, the issue isn’t about companies only taking baby steps, it’s about full transparency. For example, Patagonia is a company with one of the most inspirational and well-respected environmental commitments that exists in the textile industry, but they are honest that they still have some things they need to work on. If you check out their amazing ‘Footprint Chronicles‘ online, you will be able to follow their supply chain and their efforts to make their company as transparent as possible.

Nadia: Designer Bruno Pieters just recently started the online retail site Honest By, which is the first 100% transparent company that gives customers a full cost breakdown of its products, so as to shed light on where the clothing is made and by whom. He recently noted in an interview that transparency is sorely lacking in the industry, and that no one really knows where their items are sourced, which is why he introduced ‘Honest By.’ Why are so few companies struggling to adopt this fully transparent model?

Marci: One of the biggest challenges I’ve come across with the large retailers I have worked with is how disconnected their different departments are. The marketing team isn’t speaking with the product development or sourcing teams, who aren’t connected with the Sustainability Directors or the buyers. These compartmentalized disconnects result in a lack of transparency, opportunity or effective communication strategies, and sometimes even result in tragedy, like at the recent factory fires in Pakistan and Bangladesh. For efforts to be truly sustainable for people, planet, profit, passion and purpose (“The five P’s”), companies must figure out how to plan, design, develop, source, manufacture and market with sustainable strategy and design models. The whole supply chain, from the farm and factory to the PR, has to be connected.

Nadia: Is this why it is so difficult to enforce multinational regulations?

Marci: There are inherent complexities with regulation. The challenge with the textile industry is that it is a global industry, and historically, certifications have sometimes differed between countries. As an example, I was on the team of people who wrote the first USA Certification of Organic Fiber Textiles, and in our trying to implement them across borders, there were huge inconsistencies with other countries’ standards. So how do you reconcile that? You need collaboration, and that’s what four different countries  –USA, Germany, the UK, and Japan- did when we created the Platinum standard for organic fiber textiles, known as the Global Organic Textile Standard (GOTS). This standard takes every part of a finished textile into consideration, from the farm (must be Certified Organic fiber) to the dyes, finishes, transport, packaging, labor, etc. It is a comprehensive authentic 3rd party accredited certification, which speaks to the very highest standards of excellence as a truly organic/sustainable textile product – for both apparel and home fashions. A recent breakthrough includes the USDA’s recognition of this standard as the textile counterpart to their USDA NOP seal that most people recognize on organic food products.

Nadia: Are there any companies that you think are taking the right steps towards sustainability?

Absolutely. For the mass-market, H&M has launched their “Conscious Collection.” Nike, Puma, and Adidas use sustainable fibers in their products. In high fashion design: Stella McCartney, Donna Karan, Ilaria Venturini, Fendi, and Vivienne Westwood have all introduced Eco-Fashion. Eileen Fisher also has begun integrating organic and sustainable fibers into her collections.

Vivienne Westwood is using her Red Label to create awareness about climate change.

Vivienne Westwood is using her Red Label to create awareness about climate change.

In addition to Under the Canopy and Portico, there are several other pioneering fashion brands making sustainable fibers and transparent ethical sourcing practices their focus: Lara Miller, Linda Loudermilk, Edun, People Tree, Kuyichi, Madera, Stewart & Brown, LoomState, and soon to be launched – FASE (Fashion-Art-Soul-Earth)!

Eco-fashion designers at NY Fashion Week share their mission to fuse style with sustainability, and counter ‘fast fashion’:

Nadia: I of course would love to hear about your label FASE, why you launched it, and how you hope it will change the perception of Eco-fashion and the face of fashion in general?

Marci: I wanted to address this new FASE-to-face movement, and the idea that we are all connected, from the people making the products to the ones who are buying them. In Spanish the word means ‘phase,’ so it also has a double meaning of entering into a new phase of humanity and social justice, of shifting the old broken paradigms. It’s time we do an about FASE and FASE forward, to FASE the facts, to FASE the future. FASE offers a new engaging and experiential platform to make people think, and connect. With its cache, creativity, accessibility and influence, I believe that fashion is the most powerful vehicle for change in consumer products.

Fashion is a form of expression and a way for people to make a statement. I don’t think the answer to consumerism is so black or white that we should tell people, ‘stop shopping.’ It’s really about shifting the paradigm of the fashion industry to a slower, more conscious, more sustainable way of engaging with the textiles we wear and use and the people who make them.

Nadia: And can you tell us more about your upcoming documentary Thread (trailer below)?

Marci: We hope that Thread can do for fashion what Al Gore did for climate change, which is to educate consumers about what is going on behind the scenes, to unveil the harmful human and environmental impacts behind the fashion industry that hides under the guise of glamour.

Beauty has always been inspired by nature, but because of modern-day society and commercial pressure for “more, faster, cheaper fashion”, and the industrial movement which has depleted and destroyed our Earth’s natural resources, we’ve destroyed the essence of true beauty.  Fast fashion is destroying our environment, the ecosystem that is a part of every one of us, disconnecting us from each other and from the roots of real beauty. Sabotaging our planet is compromising humanity’s ability to radiate from within, to be alive, thriving and confident, revealing the ultimate source of beauty. Universal consciousness is the soul of authentic beauty, with the notion that we are all interconnected on a very deep, energetic level.

I believe that in 2012, we have entered a new era of consciousness, one which will awaken us to come full circle back to our roots in nature. The Internet, social media, documentaries and YouTube are allowing us to pull the curtain back on what we’ve been taught and brain fed by mainstream media. We are finally able to counter advertising that feeds us false messaging, or denounce companies that employ non-sustainable practices that hurt the environment and people.

Nadia: As Martin Luther King, Jr. said, “By the time you have finished your breakfast, you will have relied on half the world.”

Marci: And we should start every day with a sense of gratitude and abundance.

Nadia: Any last thoughts before we wrap up this series?

Marci: Yes, I just want to make it clear that this movement is about best efforts and better choices, not about perfection. With a commitment to consciousness, responsibility, authenticity and transparency, together, we can make a real difference, where the “alternative” can become the new “norm.”

For updates on Marci Zaroff’s other Eco Fashion ventures, check out her website at marcizaroff.com.

Thread Documentary Trailer:

Further Reading:

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The Human Impact of the Textile Industry: Pesticide Poisoning, Farmer Suicides, and how Organic and Fair Trade Can Help

In my last post, Marci Zaroff shared with us her knowledge about the toxic environmental impact of the textile industry, and today, we turn to the devastating human impact. Up to 77 million cotton workers suffer poisoning from pesticides each year, and in India, 300,000 cotton farmers have committed suicide—almost 26 a day—to escape debt.

Nadia: So, could you expand a bit more on what is being referred to as a ‘pesticide treadmill?’

Marci: So here are the hard facts. Just as germs infest on people who are weaker, when plants are sprayed with chemicals, they also get weaker. And then the soil weakens, and the eco-system isn’t building a healthy plant. So this ultimately results in less yield for the farmer.

And then, these bugs build resistance to these pesticides, and the farmers have to buy stronger and more expensive pesticides, which they can’t afford, so they have to leverage their farms to the banks. Then, as the cycle perpetuates and continues, the soil gets depleted & destroyed, the bugs get out of control, and the farmers can no longer sustain their livelihoods. Stuck in tremendous debt, many farmers are committing suicide with the very pesticides that they used on their plants. Every half an hour in India, a farmer is committing suicide. There’s an upcoming documentary called Dirty White Gold that will reveal what is now being referred to as this ‘pesticide treadmill.’

Nadia: I just read that genetically modified crops are decreasing pesticide use for farmers, is this true?

Photo courtesy of cottondon.org

Photo courtesy of cottondon.org

Marci: While there may be artificial decrease in the pesticides use in the short-term, in the long term we’re already seeing an increase in pesticide use again, because of genetic resistance and falling crop yields. Over 90% of the world’s cotton is now genetically modified (GMO), which has resulted in a monopoly for Monsanto, giving them the power to dramatically raise the prices on GMO cotton seed and the additional inputs and pesticides, which they also provide. At the mercy of these altered and chemical inputs, the GMO paradigm is not sustainable financially for farmers, and further, we are just beginning to learn of the harmful ramifications of GMO seeds in relation to human health. In addition, monocropping with GMO seeds is not only depleting the soil and its ecosystems, but risking the very survival of thousands of natural cotton varieties as well.

Nadia: And I just read that in the last year, the costs of cotton cultivation has jumped due to the rising costs of these pesticides, so it’s not as profitable as it used to be? And supposedly there have been more suicides among the farmers that have used these GM crops …

Marci: YES, these are sad facts, as stated prior.

Nadia: So you told us yesterday how organic cotton helps the earth, how does it help farmers?

Photo courtesy of cottonedon.org

Photo courtesy of cottonedon.org

Marci: Well first of all, there’s a risk with using GMO seeds. We are continuing to learn of the consequences of GMO, across many agricultural crops (food & fiber), which is why there is a huge movement towards GMO labeling in the USA. We are one of the only developed countries in the world that doesn’t require GMO labeling! On the contrary, since organic farming prohibits the use of any GMO seeds, organic farmers are allowed to work with their environment and economic situation in a sustainable way, while building and protecting their soil and farms. They also can diversify their crops, which allows them to diversify their income. If they have more than one crop to rely on, then it helps protect them in case there is a crop failure, market demand, etc. And of course, they don’t have to breathe in toxic pesticides that harm more than 77 million cotton farmers a year. It is devastating to see conventional cotton farmers walking thru their fields with pesticide tanks on their backs, not realizing that they are spraying poisons in their own faces. And even worse, often in the faces of their babies, who they are carrying in slings while walking their farms. They are often lured in by the seed and chemical companies. It is a tragic human situation that we can help to change by supporting the growth and market for organic cotton.

Nadia: I know you were instrumental in helping Fair Trade USA develop the first USA Fair Trade certification of textiles and will be spearheading their national launch in 2013. (Fair Trade farmers receive a minimum price for their product, covering the cost of production, with a Fair Trade premium paid in addition for investments in social, environmental or economic development projects). Could you explain a) what drives your passion for Fair Trade, and b) How it connects with your environmental/organic concerns and advocacy?

Marci: I am passionate about building community and connecting humanity.  I believe it is extremely important to be in touch with the people who grow, sew and receive our products.

Nathuram Pal, a 45-year-old farmer of Nibhghana village in Garautha tehsil of Bundelkhand region, committed suicide by hanging himself with a ‘Babool’ tree on the night of 18th June. He was under pressure to pay back the loan of Rs 12,000 taken from the coopertive bank and another Rs 40,000 taken from the local people.

Nathuram Pal, a 45-year-old farmer of Bundelkhand region, committed suicide when he couldn’t pay the loan of Rs 12,000 taken from the coopertive bank and another Rs 40,000 taken from the local people (Full article here).

When you look at the triple bottom business model, which is ‘people, planet, profit,’ in textiles, much of the attention has been put on planet. But, as the example of the Indian farmers demonstrates, it’s also about people. When you start to work with people, the environmental ramifications are serious because they are being exposed to the toxins, and they can’t sustain their livelihoods. They can’t afford to feed their families. The cycle of fast fashion has driven costs down so low, that consumers only want extremely cheap clothing. So the question is, how do we create a more efficient supply chain where farmers can share grievances and are paid fairly? Where American consumers can understand that their clothing isn’t growing & made in their department store, but instead that people’s lives are being affected by the products and brands they are buying and supporting?

What Fair Trade does is to create an account for these farmers and/or factory workers so that they have a forum to voice their concerns. Marry that with the orders that the USA companies are placing. When you add the Fair Trade premium to the account, the farmers and/or workers can be paid “bonuses” that equate to a living wage, while also using their funds to invest into important and much needed community development initiatives such as education and health care.

And Fair Trade and Organic definitely compliment each other because not only are farmers getting paid more, their health is also being protected from the adverse effects of chemical pesticides and fertilizers, and they don’t have to pay the extra money on these pesticides. Nearly half of Fair Trade Certified products that were imported into the USA in the last few years were certified organic.

Organic cotton farmers in India don't have to worry about pesticides damaging their health. India is the largest supplier of organic cotton, accounting for 80% of global production.

Organic cotton farmers in India don’t have to worry about pesticides damaging their health. India is the largest supplier of organic cotton, accounting for 80% of global production.

Nadia: What does the Fair Trade USA Garment and Textile certification ensure?

Marci: It protects both cotton farmers and/or factories from wage exploitation and terrible working conditions. A new model for living wages has been built in on top of the basic social standards (no child labor, fair working conditions, etc.) that have already been implemented by many USA companies. Farms and factories are checked periodically. It gives them premiums (funds) that are for community and social investment. So let’s say a company in the USA, like Under the Canopy, for example, bought Fair Trade Certified items from an Indian factory for $100. We would pay a percentagesomewhere between 5-10%- into a fund that the workers would control. Then, as a collective, the workers would decide where to invest their moneyin health care, the building of a school, child care, etc. We would then, in turn, be able to monitor and measure these specific impacts, to communicate back to our customers and loyal consumers. It is our job to offset some of those premiums in other creative ways, such as enhanced design, product innovation, and by creating efficiencies in our supply chain.

For Fair Trade flower farmers in Ecuador, the Fair Trade premium supports education for their children (photo courtesy of oneworldflowers.org).

For Fair Trade flower farmers in Ecuador, the Fair Trade premium supports education for their children (photo courtesy of oneworldflowers.org).

Nadia: I recently read that Fair Trade cotton is grown by 37 certified cotton farmer groups in 10 countries, and that in Mali, 95 percent of children of Fair Trade farmers go to school, which is more than double the national average for school attendance in a very poor country.

Marci: Yes, buying and supporting Fair Trade Certified products is truly affecting positive change in the lives of others in our global community. When I am in these projects, with the farmers and workers making our products, I am fueled by these efforts towards social justice, knowing that “like water for chocolate”, the happy energy of our growers and/or makers is in the soul, or DNA, of my brands.

 Nadia: One of the really cool things about companies that work with fair trade artisans is that they absorb the costs of any discounts they may be having. Like, I can get a ring 25% off, and the artisan is still paid in full.

Marci:

Farmers and factory workers shouldn’t have to suffer when other people win.

But that’s how the current system works. We have to look at every way we can support farmers and factory workers. The minimum wage isn’t enough to sustain a family of four in most countries, so these efforts will support our partners’ basic needs (which is different for each country.) With the recent fire in the Bangladesh apparel factory where over 112 workers died due to poor working conditions, it is clearly imperative that we protect our fellow humanity.

Also, while I think Fair Trade is essential, if our cultural tendency is for faster, cheaper, “more” consumption, it will remain a challenge to balance market demand with a more sustainable model. Education & awareness are paramount and the time is NOW.

The impact of organic cotton farming and Fair Trade on people’s lives:

Additional Resources:

  • Want to learn more about Fair Trade? Here’s a primer.
  • Want to see how Indian farmers are growing organic cotton on their farms? Click here.
  • Need help finding brands that use organic cotton? Check out this link.
  • Organic cotton grown in the United States? Watch here.

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Ethical Fashion: Introduction to an Ongoing Series

This past summer, I decided it would be a good idea to clean out my apartment while I was moving to another place. It felt really good to ‘detox,’ so to speak, and I relished throwing out old advent calendars in the back of my storage closet, jewelry that was either falling apart or just kind of tacky (do you really need a huge gold peacock ring Nadia, do you?), and clothing that I wasn’t really feeling anymore. As I threw out everything with fervor, something hit me (I think when I picked up a pair of feather earrings that I bought before I began to think seriously about cultural appropriation). I realized that everything I was tossing out was mass-produced. And that when I came across a necklace given to me by my mother, or the Zuni ring that was made by an actual Zuni woman (instead of a ‘Native-inspired’ design made by factory workers abroad), or the Tagua nut necklace that I bought from an artisan in Puerto Rico whose face I still remember, I just couldn’t let it go. Not only did I consider these items art in the way that they had been lovingly hand-crafted, but I had a personal connection with the people who had made them or given them to me. It was easier for me to toss out the shirt I got from Urban Outfitters or the earrings I bought years ago at Forever 21, because I had no knowledge of who made them. They meant little to me.  I didn’t value the work put into these items as much because I knew nothing about it, or the people behind it.

When I wrote my first post on why I blog about fashion, I revealed my complex feelings about the industry, and I have started to document its many contradictions which I find to be both fascinating and so unbelievably challenging. Despite my appreciation for fashion as a mode of expression, I have always been disillusioned with the labor exploitation behind the glamorous façade of the industry. Even though I had been involved in anti-sweatshop campaigns before, and had enjoyed vintage and artisan made products, I still found myself buying into the status quo of retail that encourages mainstream consumption of ‘fast fashion‘ (or buying more clothes at a discount) on the one end, and the idealization of unattainable high couture on the other. Why was I bragging about the great bargain I had scored at the designer discount site, knowing that by doing so, I was also discounting the labor and people behind it? Or drooling over the latest purse Blair Waldorf carried on Gossip Girl, despite being aware that high couture is often a means by which the show reinforces class divisions? Why, girlfriends, wasn’t I connecting the dots?

The unglamorous side to fashion: A child jumps on the leather luxury waste products as she plays in a tannery in Dhaka

The unglamorous side to fashion: A child jumps on leather luxury waste products as she plays in a tannery in Dhaka, Bangladesh (Article here)

The revelation I had this past June standing in my room staring at all of that stuff (and given the total trauma of moving that mountain of possessions, I did wonder did I possess them, or did they posses me?!) was what I would mark as a significant moment in how this movement of sustainability started to truly penetrate my consciousness. Sustainable fashion implies that the product has been made with thought and consideration of its environmental and social impact, and in the following months, as I read about the textile fire in Pakistan that killed more than three hundred people, or the ‘apparel trend‘ report that revealed how companies like Wal-Mart and Forever 21 are ignoring claims of child and forced labor from their workers, or how exporting this cheap labor means a loss of industries and jobs in the U.S, I felt a need to share this information with others. When I read Elizabeth Cline’s book Overdressed, I was shocked to learn that garment workers overseas are earning just one percent of the retail price of the clothing they produce, and that the wages of garment workers could be easily doubled or tripled with little or no increase for American consumers. I wanted to understand if Nike could afford to double its pay to its thousands of shoe factory employees without raising any of their consumer prices, why weren’t they doing it?

Greenpeace Detox Campaign Image

Greenpeace Detox Campaign Image

Although I had always been aware of the exploitative labor behind the clothes we wear, I had never really considered the harmful environmental impact of the conventional textile industry’s manufacturing process. And then, once I learned about the cancer-causing chemicals that are found in the very fabrics we wear, I knew I needed to connect the dots not just between culture and labor, but between environmental sustainability and cultural economies. Jean Cocteau once noted that “style is a simple way of saying complicated things,” and indeed in today’s world, the clothes we wear should not be dismissed as merely frivolous things, but as signifiers of the truly deep social, environmental, and economic structures of unconscious consumerism.

For the last few weeks, I have been interviewing major industry players, from garment workers to activists to designers, who are making sustainability their focus. I will be incorporating these interviews in a series that I hope will expose the contradictions and lack of transparency in the industry, as well as the ways in which we can start to connect the dots between all of these different concerns and issues within this complex industry. This series will feature:

  • An interview with Marci Zaroff, who coined the term ‘Eco Fashion’ and has been instrumental in drafting Fair Trade and Organic textile standards for the industry in the U.S. In this interview, Marci will provide some basic information on the environmental impact of the textile industry, fair labor practices and why an Indian cotton farmer is committing suicide every half hour. I will also be asking Marci to help us respond to questions and critiques about sustainability, and to help us pinpoint which companies are truly committed to ethical labor and environmental practices, and which ones are just using social responsibility as a way to attract more people to their product.
  • I will then be interviewing Callie Brauel of A Ban Against Neglect (ABAN), a non-profit that empowers street girls in Ghana while helping to clean up the environment, by upcycling waste into adorable accessories and jewelry!
  • If that wasn’t enough inspiration for you, then stay tuned for an article on the non-profit MamAfrica, based in the Democratic Republic of Congo. The co-founders, Aline Malekera and Ashley Nemiro, created the organization to provide holistic services for refugee women in the town of Bukavu, and are incorporating the art of sewing in their mission to empower women both economically and socially. This post will also reveal how our technology consumption is tied to the conflict minerals crisis in the DRC, and will offer resources on how to become a more empowered consumer outside of the fashion industry.
  • Next, we will turn to issues of culture (because culture needs to be discussed!), and how television shows like Gossip Girl, magazines like Vogue, and brand advertisements influence not just how we consume, but how we see ourselves and shape our identities. Is new media and the rising influence of fashion bloggers challenging the false messaging of advertising? Or am I just a complete fraud? 😉
  • Then…get ready, because we’re going to be tackling the issue of labor, from sweatshops to social movements like Fair Trade and Ethical Fashion that are providing a counterpoint to exploitative labor. This section will highlight the textile company Alta Gracia, which produces university apparel and pays its workers a living wage (while maintaining very affordable prices) and is consistently ranked as having the best monitoring practices in the industry. I will be interviewing three people who have been active with Alta Gracia: Amy Kessel, a student and trade justice organizer from Temple University; Jim Wilkerson, the director of Trademark Licensing & Stores Operations at Duke University; and Maritza Vargas, who works as a garment worker in the Alta Gracia factory. She will be telling all – about her former struggles as a union organizer working in a sweatshop factory, and the truth behind the ‘Fair Labor Association’s’ monitoring practices (spoiler alert: the truth isn’t always pretty!).
  • Next we will discuss the connection between fashion and art, and question whether the artisan/sustainable movement brings the ‘art’ back to a textile landscape increasingly known for its homogenous and cheaply produced products. Also, do artisan-made products empower cultures that are often treated like trends in fast fashion? Two bloggers who created online boutiques as a way to counter cultural appropriation and stereotypes will weigh in on these questions. The first is Jessica Metcalfe, whose boutique Beyond Buckskin exclusively features Native-American designers, and the second is Enyinne Owunwanne, of the online site Heritage 1960 that has become a retail destination for an alternative view of African fashion, lifestyle, and design.
  • Then the series will turn to the different fashion/jewelry designers who make it a point to incorporate sustainable practices in their lines while empowering marginalized communities both in the U.S. and abroad. Interviews will include couture designer Kahindo Mateene from the African-inspired line Modahnik, former Harper’s Bazaar editor Ariela Suster from the El Salvadorian accessories collection Sequence, Native designer Kristen Dorsey from the Native jewelry line Kristen Dorsey Designs, and Eco-fashion designer Lusmila McColl from the line McColl & Clan.
  • Finally, how do we turn awareness into action? What is the difference between awareness that is merely used as a brand gimmick or a shallow substitute for engagement, versus one that can be a tool for positive change? Sophia Hyder, who has worked in development for the last ten years, will be weighing in on these questions. Her recently launched line Evolvemint sells Eco-friendly scarves made by women in Bangladesh, and she has also developed a ‘pink’ line that donates money to a breast cancer foundation that uses its funds not for awareness, but for financial assistance to underinsured women. I will also be talking with Rick Awdas, who created the site Ethical in Style so that people could learn more about sustainable brands and have access to an enormous database of ethical fashion options.
  • I will also be answering reader questions (umm…so excited!) about how to go about different sustainable practices, like DIY (do it yourself) clothing, thrift shopping, and/or just buying less. Want resources on where to get information on ethical fashion and sustainability in general? Don’t worry peeps, girlfriend will be hooking you up!
  • Oh, and I just might be throwing in giveaways of socially conscious items, cause it’s all about the extras that gets thrown in your gift bag, right? 😉

Basically, the reason why I began this blog in the first place was to start conversations, and my purpose for this series is not to preach perfection, but to encourage conscious choices through increased awareness of issues related to sustainability, specifically in regards to the garment industry. I truly believe that when we don’t know where our clothes are made, than we lose that sense of community and human connection that is so important. I hope to highlight the importance of handmade products that help to personalize the process of production and revive the relationship between those who make the clothes and those who purchase them. My intention is not to dismiss fashion (obvi), but to envision improvement by examining where culture and labor meet, and the effect that this has mostly on women. My hope is that by using fashion as my ‘example,’ I also can help create awareness on other related issues, like the environment, suspect practices in certifications and labeling, and labor.

So, let’s do this girlfriends!

Update: This series, and my blog in general, has been approved as part of my dissertation research on transparency in the fashion industry. So needless to say, it is going to be expanded – stay tuned! 🙂

Additional Resources:

My Related Posts:

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The iPhone 5 and the Latest Technology: Why We Consume at the Expense of Others

Just a few months ago, the new iPhone 5 was officially released. Featuring all of the coolest new gadgets and the ‘thinnest, lightest design,’ it sold out in stores in an impressive three days. The commercial for the new phone is so cool, it practically renders all iPhone 4 users as irrelevant in one 30-second swoop. But as I wrote in a recent post on the textile fire in Pakistan that killed 300 people the same week that models were walking down the runway in beautiful designs for New York Fashion Week, sometimes the most glamorous things are a facade for tragedy.

As this brilliant article revealed, the iPhone 5 has been made in China by exploited workers in FoxConn sweatshops. Many of these “underpaid, underaged, and overworked staff” have gone on strike, only for their complaints to be denied and downplayed by Foxconn. As the author notes, our constant complaints and expectations for more ‘perfect’ technology is what drives this labor machine to move faster, to demand more from their workers than is humanely possible. Saturday Night Live recently aired a clever skit that contrasted the ‘first world’ complaints of American tech experts (the phone is too light, I can barely feel it!) with the retorts of the Chinese sweatshop workers. My favorite line? “Oh, twitter’s too slow, you can’t read about Kardashian’s handbag? My brother has a handbag too. He has hand. Keeps in bag. Until he can afford to re-attach!”

While the article continues to lend fresh insight into the labor advocacy that is surrounding this issue, I want to focus here on a simple question: what drives us to buy, and why we are never satisfied with what we have? Is there a certain satisfaction that people in the West gain by being able to whine about trivial things, knowing that the people who are making these technologies are unable to complain half as much over issues that are far more important?

Left: the first person in line to buy an iPhone 5 in England preens with his loot. Right: the family of a young laborer who killed himself at Foxconn (photo courtesy of “Is it Immoral to Own an iPhone 5?”)

Technology has always connoted progress and development in the West. Because technology isn’t available to everybody, those who do not have access to it are often viewed as ‘backwards,’ as ‘behind,’ as ‘less-developed,’ as ‘Third-World.’ For many, technology is a word that refers to the inaccessible, the things they would like to have but cannot afford. It allows those in the West to establish meanings of progress for the world, and to view poorer countries as less capable.

That is not to say that technology does not have cultural and social benefits. It obviously does. The technologies we use can facilitate social movements, create a greater amount of information, help us realize our goals as a ‘global village,’ and forge a “two-way” connection between disparate groups of people. Who can dismiss the important (though arguably overblown) role of new media networks like Facebook in the Arab revolutions last spring? Or how in Afghanistan, entrepreneurs like Roya Mahboob are using software companies to empower women?

Technology can have real positive social and economic effects, but it seems that in the West, it is more often being reduced to its ‘thing-ness,’ to the idea that this conspicuous consumption of more things that may have no tangible impact on one’s life is a symbol of our wealth and privilege. We spend big money on a cool color, on a slightly lighter phone, on marginally faster internet connection. We are obsessed with this notion of newness, with this idea that buying an iPad Mini will make us seem ahead of the curve in some way, when, let’s face it, it is really a slighter bigger iPhone.

And then of course, there is the technological waste that is left behind by our unconscious consumption. Three million tons a year, to be exact. The technology that is dumped in the backyards of people’s homes in China, India, and Africa, ruining both the environment and their lives. How better to reiterate this notion that those in the ‘Third World’ are behind when for many, their primary means of access to technology is the waste tossed out by those in the West?

Electronic Waste dumped in parts of Africa (photo courtesy of DanWatch and Consumers International)

Is that how we are measuring progress now? Not just by what we have, but by how much we can throw away?

We often think of poorer countries as constantly needing to ‘catch up’ with our modes of consumption for the sake of development. I believe however, that the people in these countries who use technology as a means of transforming communities and even resisting oppressive regimes, are actually more progressive than those in the West who have reduced technological innovations to just ‘stuff.’ Take, as another example, the four African girls who created a urine-powered generator that produces six hours of electricity using a single liter of urine as fuel. Unveiled at the Maker Faire in Nigeria, the girls and their ‘pee-generator’ created buzz at an event that was instituted to highlight innovations that actually solve “immediate challenges and problems in society,” rather than, as Next Web put it, “a bunch of rich people talking about how their apps are going to change the world.”

Three of the four inventors of the urine-powered generator (photo courtesy ofEric Hersman)

This holiday season, perhaps we should look to, and start adopting, the slower and more sustainable modes of consumption of so-called developing countries. Why not give a hand-made gift, or practice more conscious consumption if we do not want to abstain completely from purchasing presents for ourselves and our family. What does it mean to be a conscious consumer? Well, perhaps these two examples of different iPhone buyers will help clarify the difference:

Consumer 1: “So I’m going to buy the iPhone 5 today. It just seemed…cool. I mean there’s nothing wrong with my iPhone 4, but my bromance bro got the new one, and it’s so light I just thought it would be dope to see which one we could toss higher. I’ll just trade it in at Apple for a 10% discount. Whatever. When’s the iPhone 6 coming out?”

Consumer 2: I’ve been holding out buying the iPhone, because I don’t really need it. But then my iPod broke, and my cell phone is several years old, so I wanted to get the new iPhone. I heard about all the strikes in China though, so I didn’t want to get the iPhone 5. I’d feel too guilty. So I traded the iPhone 4 for a ton of my DVDs I don’t watch any more. And then I sold my old iPod and cell phone to a green company called YouRenew, which recycles your old technologies without filling up landfills! I love my new iPhone and I plan on keeping it for a loooong time.

I think we all can guess which one is the conscious consumer, peeps.

I know that being socially responsible about our purchases takes a little more time, a little more thought. But if the holiday season is when we give thanks by spending time with our loved ones and sharing gifts, perhaps we should also take the extra time to consider the people behind these gifts, whether it is the workers who make them, or those in the  ‘Third World’ who have to live with them as unrecognizable litter in their backyards.

Want to learn more about the global trade of electronic waste? Check out this amazing twenty minute documentary that won an Emmy for its investigative reporting:

Ghana: Digital Dumping Ground:

Louis CK on why we’re never satisfied with what we have:

Further Reading:

This is the first article of a series that focuses on issues of sustainability and conscious consumerism – stay tuned for more on the subject, including an upcoming interview with eco-fashion founder Marci Zaroff!

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Can Fashion Change the World?

“It’s quite incredible that we might save the world through fashion .” -Vivienne Westwood

In my recent post on New York Fashion week, I focused on the disconnect between the glamor and fantasy of the fashion industry with the exploitation that often hides beneath the glossy surface. I wanted to emphasize in this post, a few key players that are trying to work for more sustainable, ethical practices in the industry.

OK so first of all, what is ethical fashion girlfriends?? While I will no doubt touch on this subject many more times in my future blog posts, I really loved this definition from the ultimate in sustainable fashion information, the Ethical Fashion Forum.

” The meaning of ethical goes beyond doing no harm, representing an approach which strives to take an active role in poverty reduction, sustainable livelihood creation, minimizing and counteracting environmental concerns.”

Artisans at the Nairobi hub with Lisa Barratt, left, Jane Kabura, center, and Jeremy Brown, right, standing behind bags for Stella McCartney, Vivienne Westwood and Sass & Bide. Credit: Chloé Mukai/ITC Ethical Fashion Initiative

Obvi, that’s kind of amazing, but can it be done?  While the coverage of labor issues during fashion week was pretty paltry, The New York Times did run an incredible story on Simone Cipriani, head of the Ethical Fashion Initiative. Cipriani is connecting designers like Vivienne Westwood and Stella McCartney with Ghanian artisans,  who are working to the fair labor standards of $5 to $11 a day, making luxury items for the couture designers. Besides achieving a living wage, the work also gives many of these women employable skills that can empower them and help raise their families out of poverty.

Sustainability is still not widely understood though, and many associate the word with hippie-trippy, unattractive clothing, and well … Birkenstocks. Perhaps that’s why the awareness created by luxury brands could prove to be influential for changing the consumption patterns of the mainstream.  When Vivienne Westwood of her Ethical Fashion Collective line and Ilaria Venturini Fendi of her Carmina Campus line ask questions at New York Fashion week like ‘Was this made ethically?’ ‘Are the fabrics green?’ and ‘Were the workers treated fairly?’, this can have an incredible impact by encouraging ethical consumption but also proving that being stylish doesn’t come at a cost to others.

Martin Luther King Jr. said 45 years ago that “True revolution of values will soon cause us to question the fairness and justice of many of our past and present policies.” What exactly is it going to take to shift our values, to create a shared paradigm of ethical labor practices and more sustainable consumption? If it seems to be impossible, consider the resistance towards smoking reform in the mid-century, to the current situation where almost 50% of the U.S. population lives with smoking regulations in all workplaces, restaurants and bars. Yup, change can happen girlfriends, we just need to believe in it!

And a revolution seems to be happening,  and it’s not just within haute couture. Just this month activists staged flash ‘faint-ins’ at fast-fashion retailers H&M and the Gap to protest sweatshop conditions in countries like Cambodia, and workers in Cambodia are in turn striking for better pay. Check out this website, Fashioning Change, a self-described ‘do-gooder’ website that offers cute, eco-friendly alternatives to popular designer name brands. Their ‘Wear This, Not That’ feature is an easy way to compare some of your favorite clothes with more eco-conscious lines that have transparency in their supply chain. What’s more, these lines usually come at a cheaper price-tag then their brand-name comparison! Aaaand, it’s time to go shopping. 🙂

We need to fix the bloated nature of a fashion industry that creates a lot of waste with too many products that end up in landfills on one end, and too little pay for those who labor on the other. Vivienne Westwood, who is using her fashion line to promote environmentalism, has argued that fashion and anti-consumerism don’t necessarily contradict each other if people buy less, and in a more sustainable way. Check out her show from the London Paralympics in late August, where she ends her somewhat haphazard collection with a pointed cry for environmental advocacy, rolling out of a banner that reads “Climate Revolution.” A nod to her punk roots, it had me thinking, “Where is Pussy Riot??”

Have any thoughts on how we can shift our fast consumption to sustainability? Do you have any links to share, or know any peeps who are working on this cause? Please share with me, either in the comments below or via email! 🙂

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New York Fashion Week-the Fantasy and the Fire

Rodarte, Spring 2013. Gorgeous and stunning, now … who made them?

Fashion Week 2012 just wrapped up, and I always love the opportunity to lose myself  in the fantasy world of haute couture for just one short week. This year it was Vivienne Westwood’s steampunk-inspired collection, the ethereal draping of Carlos Miele’s clothes, the op-art, mod-inspired fashion of Marc Jacobs, and the punk-rock gypsy aesthetic of Anna Sui (always a favorite of mine) that made my heart race. Even the shoes worn by audience members this year were so unreal, that if the pictures weren’t shot by my heart, Bill Cunningham, I would have assumed they were photo-shopped. (I want five inch yellow Prada shoes with flames shooting out of them, NOW daddy!!)

But while the fashion press focused intently on the genius of these designers, as well as the important faces in the audiences that ran the gamut from Anna Winatour to Kim Kardashian (ugh), very little was mentioned about the fire in Pakistan at a textile industry that killed more than three hundred workers. Supposedly (and I’m sure more information will be revealed as the investigations move forward), the factory employers locked the doors of the factory to prevent the workers from stealing the jeans they were making. And what is even more shocking is that this factory was declared as safe by monitors working with Social Accountability International, which is a nonprofit monitoring group largely financed by corporations. And of course, despite finding a pair of Guess jeans and other brand-name labels in the wake of the fire, producers, including Guess, are denying that their jeans were made there.

Is it ironic that as I’m reading this article on the fire, which killed more than twice as many workers as the famous Triangle Shirtwaist Factory fire in 1911, a gorgeous advertisement of a beautiful model wearing  layers of bracelets and a glittery sequin top for the brand Armani flashes across the screen? The fashion industry in a nutshell—beauty and fantasy, alongside tragedy.

The aftermath of the textile fire in Pakistan (photo courtesy of Fareed Khan for AP)

What this reveals is obvious: the need for more transparency in the design process, and for more sustainable labor practices. As long as those who make the clothes are not given a face, people—the designers, the fashion editors, the consumers—will continue to look the other way. A recent article in The New York Times documented the fashion industry’s “25 key players,” which included the founders of the globally-influenced retail store Opening Cermony, Vogue editor Anna Winatour, and my personal favorite, ‘I got famous for a sex tape and now my face is plastered on every freaking ad on every website that Nadia visits’ Kim Kardashian (UGH). And where are the textile workers in this list? I find this more than a little ironic considering that the haute couture industry defends its high price tags on the basis of its ‘fine’ craftsmanship and supposedly fairer labor practices (though it’s recently been revealed that the ‘made in Italy’ label is kind of a sham-those who labor in these Italian factories are often Chinese migrants exploited by their employers). Shouldn’t they be proud to reveal the names and faces of their workers who help make their dazzling shows a reality?

There are two main issues at play here. First, the fashion industry, with its reputation for glamour and beauty, doesn’t want to be bogged down with the gritty reality of the exploitative labor it employs.  Many designers are considered artists, and artistry and labor politics don’t exactly mix well. Secondly,  the transnational nature of the fashion industry makes it difficult to find any particular person or system entirely culpable. As the fire in Pakistan reveals, regulations are difficult to enforce in an industry that stretches across multiples nations, means of labor, and forms of presentation. Perhaps that’s why when 29 people were killed in a factory fire that produced Tommy Hilfiger clothing last year in Bangladesh, no one blinked an eye when Hilfiger himself was chosen just one month later as the fashion consultant for American Idol, giving style advice to irritated-looking contestants. After all, he couldn’t have known that his factories were shady, right? If he did … he would have done something about them, right? Sometimes, the worst crimes committed are the ones that happen when we aren’t forced to ask questions.

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