Tag Archives: sexual violence

How Faculty Can Use Syllabi to Help Reduce Campus Sexual Assault

Note: This article was also published in The Chronicle For Higher Education and The Huffington Post.

As university presidents, deans, lawyers and counselors are called to task for their missteps in handling the rash of campus sex abuse scandals, the one group that has the most interaction with students is largely left out to sea–their professors. Faculty are rarely informed of individual cases, and are told little about personal issues which lead to students suddenly failing or withdrawing. This occurs despite studies which show that more than with any other group, interaction with their professors provides vital support and strengthens not only students’ academic but also personal outcomes.

While they deal with students primarily in the classroom, faculty are not insensitive to their students’ larger struggles. Is there anything professors can do to complement the work done by counseling centers? There is — and it involves adding only one paragraph to a syllabus.

The campus sexual-assault bill this past summer, plus the many media exposés about the campus rape crisis, have raised awareness of Title IX. Title IX mandates that colleges receiving federal funding provide gender equity, not just in sports, but in all areas of campus life, meaning that all students should be able to study in an atmosphere free of harassment, sexual violence, and gender discrimination.

By taking the simple measures of incorporating Title IX language into syllabi and giving students the names and numbers of the primary campus resources, educators can do their part to provide support for victims and help end the epidemic of campus sexual violence.

Consider the example of Laura Dunn.

Dunn was just a freshman at the University of Wisconsin when her life changed forever. The dedicated student-athlete was out drinking with new friends from her crew team when two of her male team members offered to take her to another party. Instead, she says, they drove her to their place and took turns sexually assaulting her as she drifted in and out of consciousness, begging them to stop.

Laura’s story is not unusual. Sexual violence has been labeled by the Centers for Disease Control as a major public-health problem, affecting approximately one-fifth of American women. The percentages are staggering for younger women; it is estimated that between 20 to 25 percent will be the victims of a completed or attempted rape during their college careers alone. College men are not immune either; 6 percent will be victims of some form of sexual assault during their college tenure. That said, sexual violence remains a gendered crime, with most victims women and most perpetrators men.

According to a 2007 report, first-year students like Laura are especially susceptible, particularly during the first three months of their freshman year. Not wanting to accept the fact that she had been raped and not knowing that she had the right to report, Dunn, like so many survivors, stayed silent. For over a year she told no one, while she fought to focus on her schoolwork. Her grades dropped, she lost weight, she struggled with nightmares, and she broke up with her boyfriend, whom she never told about her attack.

But then things changed. During a summer philosophy class she was finally given the tools to take back control over her life. While discussing how rape is used as a weapon of war, the professor stopped the class to mention that sexual assault is also prevalent on college campuses, and that the dean of students was required by Title IX to handle assault cases. As soon as class was over, Laura went to the dean of students and reported, launching a two-year process that would prove stressful but would lead to her decade of work in survivor advocacy.

Laura Dunn’s case reveals the value of faculty involvement. Professors are not substitutes for trained counselors, but because of their daily interactions with students, they constitute the most obvious source for early intervention. This process can begin by simply incorporating into the syllabus relevant language, such as:

Title IX makes it clear that violence and harassment based on sex and gender are Civil Rights offenses subject to the same kinds of accountability and the same kinds of support applied to offenses against other protected categories such as race, national origin, etc. If you or someone you know has been harassed or assaulted, you can find the appropriate resources here …

These resources should include the Title IX coordinator, counseling services, a rape crisis center, and campus police. Confidentiality is of the essence. The Campus Sexual Assault Study indicated that when students know they can talk confidentially, they are more likely to report. Furthermore, since many universities and colleges have poor resources for students and are even under federal investigation, it is suggested that other resources besides campus authorities be included. A few good organizations are Know Your IX, End Rape On Campus, SurvJustice, the Clery Center for Security On Campus, and Not Alone.

A statement in a syllabus might also send a message of accountability to potential perpetrators. In a now-classic study, the authors found that the perceived threat of formal sanctions (being dismissed from the university or arrested) had a significant deterrent effect on potential perpetrators of sexual assault. In a 2002 study that utilized self-reporting, the majority of undetected rapists were found to be repeat rapists, and the results of this study were replicated in a subsequent 2009 study of Navy personnel. These studies suggest that many perpetrators continue to offend because they have not been caught and do not think they will ever be caught, or if caught, sanctioned. Depriving them of the culture of silence may limit their actions by increasing their fear of the consequences.

Thus, a statement in a syllabus could send a multipronged message: Survivors have the information needed, and the campus community as a whole is watching and will hold perpetrators accountable for their actions.

Many departments now mandate that syllabi include the university’s religious-holiday policy, the code of academic integrity, and contact information for disability support services. Since a quarter of female students are or will be survivors of sexual violence, a statement on Title IX is just as important. One simple paragraph could provide students with the tools they need to come forward and report the violence they have suffered. The more we normalize the conversation, the easier it becomes.

This article was co-authored by Karen Dawisha, professor of Political Science at Miami University – Ohio.

Need help? In the U.S., call 1-800-656-HOPE for the National Sexual Assault Hotline.

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Kahindo Mateene: An African Designer Making a Difference

Designer Kahindo Mateene is producing a line of clutches using scraps from her line of apparel, Modahnik.

Designer Kahindo Mateene is producing a line of clutches upcycling scraps from her line of apparel, Modahnik.

When designer Kahindo Mateene came to the United States at the tender age of seventeen to attend college, her classmates couldn’t stop asking where she got her clothes. A native of the Democratic Republic of Congo who had also lived and traveled extensively in Africa, Europe, and North America, the global nomad was a little taken aback by the attention she received for her vibrant, multi-cultural hand-made designs. After studying fashion at the Illinois Institute of Art in Chicago, Kahindo was finally able to pursue her dream of creating a line that would fuse her African heritage with western design sensibilities. In 2009 she launched Modahnik, a sophisticated, sexy couture collection that features bright colors and bold prints for the every-day, modern woman. Besides earning her respect in the fashion industry and a spot in season twelve of Project Runway (yes girlfriends, the Project Runway), Modahnik has also given her a platform to share her culture with the world and give back to women in Africa.

Angeline sews a Modahnik clutch.

Angeline, a ‘mama’ from Mamafrica, sews a Modahnik clutch.

In 2011 Kahindo created a line in Kenya using fair trade practices, and just recently she launched a Kickstarter campaign for Mamafrica, an amazing organization (which I wrote about here) that provides economic opportunity, education, and healing arts programs for women in the Democratic Republic of Congo. These women, or ‘mamas,’ most of whom are recovering from trauma as both rape and war survivors, will be making clutches from the repurposed fabric left over from previous Modahnik collections. As Kahindo cites in her moving story about Aswifewe, one of the Mamafrica women who is a rape survivor, “the support of this Kickstarter project gives Aswifewe and other women like her the chance to have a new life, escape sexual violence, and support her family by finding work with Mamafrica in making our clutches.” The Kickstarter campaign ends April 20 and the time is running out, gfs!

Kahindo cites the Sapeurs, a sartorial subculture from the DRC, as one of her main inspirations.

Kahindo cites the Sapeurs, a sartorial subculture from the DRC, as one of her main inspirations.

I was thrilled to be able to talk to Kahindo more about her project with Mamafrica, her perspective on ethical fashion, and her aesthetic inspirations. Her passion and energy is contagious, and I felt like we could have easily chatted for hours. It was fascinating to learn about her design process, and from where she draws ideas for her collections.  She cites traveling to new places as a guaranteed form of inspiration for her, since it opens her mind and creativity to new tastes, sounds, culture, architecture, and people.  She also mentioned menswear, the shows Game of Thrones and Mad Men, and the sharp architectural edges of the Louvre in Paris as recent inspirations for her line. Of course she frequently draws from Africa, particularly the avant-garde art and culture of the Congo. She grew up admiring the spirit of the ‘Sapeurs,’ a sartorial subcultural group celebrated for their elegance, originality, and flair.

From the Modahnik Spring/Summer 2014 collection. The line has the tagline of "Modern. African. Ethical."

From the Modahnik Spring/Summer 2014 collection. The site has the tagline of “Modern. African. Ethical.”

The fashion world has long been fascinated by Africa, with designers from Louis Vuitton to Gwen Stefani pulling inspiration from the continent for their collections. While the clothes have often been gorgeous, many have questioned the potentially exploitative practice of using African aesthetics for the “financial and cultural benefits of the West,” especially if they are not incorporating African textiles in their designs or giving back to the communities from which they are derived. Even though Kahindo does think this can be problematic, she also sees the benefits of someone with as huge a platform as Stefani bringing attention to African fashion. Still, she does not want Africa to become a ‘trend.’ This is why she creates her bold prints from tailored pieces of silk that are sophisticated and classic. As she put it, “We’ve made fashion into this disposable thing, but it doesn’t have to be that way. I made a dress for a friend six years ago, and she wore it to an event a couple of months ago. The colors and cuts are truly timeless.”

She also believes in the importance of using her privileged position to give back to the women in her home country. This partnership with Mamafrica is important to her because as she puts it,

“I know that I’m blessed to be in the States to pursue my dream, and I know if it wasn’t for circumstance, it could have been me. My hometown of Goma has been the epicenter of the conflict in the Congo since 1994 and is where a lot of women have been raped. I truly believe in the healing power of the arts, and I would love to use my craft to help empower women healing from trauma. This collaboration will be empowering them with job skills while allowing them to take part in the design process with me. It touches on so many issues that I’m passionate about: job creation, the healing arts, creative expression, ethical consumerism, and empowering women.”

Supporting the mamas will help provide a better life for their children too!

Supporting the mamas will help provide a better life for their children too!

Indeed, Kahindo believes that along with creating sustainable jobs, educating and empowering women is the key to poverty reduction in the Congo and Africa. Her late father instilled the importance of education in her, and pushed for all of his children to attain life’s possibilities regardless of their gender. It is no wonder then that the Brigham Young quote, “You educate a man; you educate a man. You educate a woman; you educate a generation,” resonates so deeply. She hopes that this partnership will help create and strengthen educational and economic opportunities for the mamas that will allow them to provide for their families and give their children access to a better life.

Kahindo dreams of one day revitializing the textile industry in Africa.

Kahindo dreams of one day revitializing the textile industry in Africa.

As for the future of ethical fashion, Kahindo believes times are changing. In the wake of global factory fires in countries like Bangladesh, companies are beginning to bring production back stateside as they are faced with human rights violations and growing costs overseas. With that shift in consciousness she hopes that there will also be more of a demand for African-owned brands that put money back into the local economies. The continent is not short of entrepreneurs (and boasts the highest rate of female entrepreneurship in the world), and it is certainly not short of tailors and creative people! Since almost 99% of African textiles are imported from overseas, she dreams of one day helping to revitalize the industry by producing quality clothing for export. And with her ties to different countries throughout the continent, she hopes to collaborate with other co-operatives in the future.

But for now, Kahindo is focusing on her Kickstarter for Mamafrica, which ends in 30 days, on April 20! If the amount is not met, then the project will receive no donations. Even a dollar helps, and you can get a Mamafrica clutch if you contribute a little more! If you can not donate, then please spread the word.  Come on girlfriends, let’s do this!!

The women of Mamafrica, in front of a sign that reads "We Denounce and We Say NO to Violence Against Women!"

The women of Mamafrica, in front of a sign that reads “We Denounce and We Say NO to Violence Against Women!”

Update: A version of this article was re-published on The Huffington Post.

My Related Posts:

Mamafrica: Sewing Women’s Lives for a Better Future in Conflict-Ridden Congo

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