Category Archives: Media & Culture

An Open Letter to the D.C. City Council: Commit to Initiative 77

On June 19, D.C. voters passed Initiative 77, a ballot measure that would raise the minimum wage for tipped workers to that of non-tipped workers. But instead of respecting the will of your constituents, you have introduced a bill to nullify their efforts. We urge you to reconsider this bill and allow Initiative 77 to stand.

The primary reason given for nullifying Initiative 77 is the erroneous belief that requiring equal wages for tipped work would result in economic harm to both businesses and workers. The argument, set out in decidedly apocalyptic terms, is that business owners would have no choice but to offset their labor costs with increased prices, resulting in less customers, lower tips, and, ultimately, businesses being forced to close. Therefore, to preserve their jobs, tipped workers simply must continue to tolerate a system of unequal wages.

This doomsday scenario is not borne out by data from the states that already require one minimum wage for all employees, which have shown higher rates of tipping, increased per capita sales, and above-average employment growth since converting to one equal wage regimes. In fact, there is little evidence that minimum wage increases have a significant impact on employment, as confirmed by a meta-analysis of over four decades of studies on the subject. Increased productivity, decreased turnover, and modest price increases have proven sufficient to counteract any increased labor costs, which comprise only about 30% of the average restaurant’s operating expenses. By contrast, in the current, unequal system Initative 77 seeks to protect, the fluctuating nature of tipped income provides the perfect cover for unscrupulous employers to commit wage theft, that allows them to simultaneously cut and mis-report labor costs.

We are also deeply concerned by the pressing civil rights issues connected to Initiative 77. The restaurant industry has been dubbed an “occupational Jim Crow” because of its wage disparities and preferential treatment along race and gender lines. A recent study found that people of color earn 56% less than their white coworkers, even when controlling for qualifications and experience. (We note that the most strident anti-77 voices come from fine dining establishments, whose highest-paid workers are white men.) Meanwhile, people of color are overrepresented among D.C.’s tipped workers, who experience poverty at nearly twice the rate of all D.C. workers. The tipped minimum wage system also has gendered consequences, as women who work for tips are twice as likely to live in poverty as their male counterparts. Unsurprisingly, Initiative 77 is disproportionately supported by people of color and those living in poverty.

In the era of #MeToo, it is incumbent upon you as public servants to pay particular attention to the fact that forcing women to rely on tips for income creates the perfect environment for sexual harassment, which is illegal, immoral, and already rampant in the food and beverage industry. Tipping not only makes servers more vulnerable to abuse but forces them to tolerate predatory behavior from customers and management alike, that include harassment, sexual assault and rape.

The capital is no exception; over 90% of D.C. restaurant workers report sexually harassing behavior in the workplaces. In states with a sub-minimum wage for tipped workers, these people are twice as likely to experience sexual harassment and three times as likely to be pressured by management into objectifying themselves by their managers. Even non-tipped workers report higher rates of harassment in states with a sub-minimum wage. Clearly when government sanctions exploitation, it tacitly fosters an environment more tolerant of abuse of all workers. It would be more than disappointing for you to overrule your electorate on a policy that has the potential to cut both sexual harassment and poverty in half. It would be an open dereliction of duty.

This effort to repeal Initiative 77 is even more indefensible in light of the big business interests with deep pockets that are behind it. The National Restaurant Association (NRA) was the largest contributor to the campaign against Initiative 77 and has spent a staggering $42 million over the last decade to aggressively lobby for its agenda — namely trying to stop minimum wage increases. Closer to home, we must wonder if the $236,013 you and the district’s mayor have received from anti-77 organizations over the last two campaign seasons has persuaded you to side with corporate interests over the protection of and even basic respect for your most vulnerable constituents.

Here is the bottom line: On June 19, a majority of D.C. voters who went to the polls on Election Day supported an initiative that could potentially reshape the city into a more equitable and livable environment for thousands of its workers. But your response, which attempts to undo the will of the people, is an affront to democracy. In a recent poll, 80% of D.C. residents expressed concern that their vote might potentially be overturned. It would be wise to listen to the very people who elected you into office and whose taxes pay your salaries. We urge you to work with stakeholders to smoothly transition D.C. to one equal wage.

Our nation’s capital should lead the way in protecting workers. Initiative 77 must stand.

Note: This article was also published in Medium

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Misee Harris: Why a Black Bachelorette May Matter More Than You Think

"I'm totally in love with this island and $40,000 ring — I mean, you."

“I’m totally in love with this island and the $40,000 ring — I mean, you.”

The Bachelor. For 25 seasons, millions of viewers have watched a familiar formula of women crying, helicopter rides as first dates, and so many red roses given and ‘I love yous’ exchanged that have, with the exception of three cases, ended in break-ups. The show isn’t exactly a rousing advertisement for the institution of marriage, but rather a venue for many contestants to pursue pseudo-permanent reality television careers and fratty cruise events where they can hook up with other like-minded, shallow people.

Can you tell I’m not a diehard fan? (And yes, I know I enjoy my Housewives. But we all have our contradictions, and I’m living with mine every day, gfs).

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Pediatric Dentist Misee Harris campaigns to be the next Bachelorette.

So it may surprise you that I’m actually a big advocate of Misee Harris’ social media campaign to become the first black bachelorette. The pediatric dentist from Tennessee is an absolute knockout who also has a huge heart, given her commitment to mentoring young women and volunteer efforts with children who have autism. She has a precious video of her with her dog, is sweet with her Facebook fans and quotes 2 Chainz. Nuff’ said.

I'm annoying and shady and nobody liked me...thank God I'm white! It's like, totally awesome.

I’m annoying and shady and nobody liked me … was I picked because I’m white? That’s like, totally awesome.

So why the social media campaign? Although Harris applied and was chosen to be a contestant on a previous season of The Bachelor, she ultimately withdrew because she was concerned about ‘being another token.’ Given that all 25 seasons of the franchise have featured white Bachelors and Bachelorettes, and that there have been very few contestants of color, this is totes a valid concern. Here is what bothers me. Misee Harris is pretty much perfect. I mean seriously, how many people do you know who possess all of her exceptional qualities? When you consider some of the other not-so-perfect contestants on the show (Vienna Girardi anyone? Or Brad Womack? OK those were the only seasons I watched, promise ;)), it seems a bit ridiculous for creator Mike Fleiss to make the claim that diverse contestants don’t come forward, and that when they do, it feels a ‘bit forced,’ like ‘tokenism.’

An earth angel, not a token! (photo courtesy of Jaimie Tull of Tull Studios).

First of all, isn’t there an argument to be made that viewers have been ‘forced’ to endure ten years of nearly all-white casts that for many of us, do not reflect the diversity of people we engage with in our daily lives? Also, tokenism in this context would imply that a non-qualified contestant was picked simply because they added diversity. But to dismiss a beautiful, successful, charitable woman because of the color of her skin? How does that constitute anything but systematic racial exclusion? Seriously dude, check out the Wikipedia definition of these terms before you preach such foolishness, fo’ real.

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I was SO heart-broken a week ago, but now I’m the new Bachelorette—score!

Furthermore, why is it that the Bachelorette must be a former contestant? Isn’t the formula getting a tad stale? I mean really, every season, it’s the same deal—white woman gets ‘heart broken’ on The Bachelor, sits in Chris Harrison’s hot seat during the reunion show for ten minutes and cries about how she is ‘looking for love’ and has finally moved on from the Bachelor who she fell in love with over those two dates she had with him, only to come back a week later smiling and radiant as she is announced the new Bachelorette. We. get. it.

Now I know there are many peeps out there who will argue that The Bachelor isn’t a show that contestants of color should strive to be on in the first place, and that it might actually demean an accomplished woman like Harris. I have a few responses to this, and I highly recommend that you act out a Snap! as I make each point, so get ready. First of all, regardless of whether or not you think Harris should be on the show doesn’t take away from the fact that Harris wants to be on the show. At the end of the day, she should be granted an equal opportunity, period. Yes I know, she could have been a contestant on The Bachelor and won a chance to become the next Bachelorette, but considering that very few contestants of color have gotten far on previous seasons of the show, the odds of that happening were very much against her. Secondly, The Bachelor is one of television’s most popular franchises that is watched by millions of people religiously and has, like it or not, cultural influence. To give a show an all-inclusive title like ‘The Bachelor’ implies that there are going to be all kinds of contestants on the show, not a whitewashed view of relationships and marriage that as Jezebel put it, “couldn’t be further from reality.” I mean seriously, if Mike Fleiss is going to be so blunt about his reasons for excluding people of color, then he should have named it ‘The White Bachelor.’ Or, ‘The Fratty Bachelor.’ Or even better, ‘The White, Fratty, Straight, Christian Bachelor.’ You know? Keep. It. Real.

A dating show, or white Greek rush event?

A dating show, or white Greek rush event?

Quick side note. Similar criticisms were leveled at Lena Dunham of the show Girls, for featuring an all-white cast in the middle of Brooklyn. And guess what? Dunham admitted that had been an oversight and promptly addressed the lack of diversity in the second season. I love me some self-reflection. LOVE.

Lena figured it out, so why can't Mike?

Lena figured it out, so why can’t Mike?

Finally, it is precisely this cultural permeability, this accessibility, that can actually make a show like The Bachelor a potentially powerful tool for creating conversations on topics around relationships and some other pretty serious issues. Doubtful? OK, let’s take the example of Sean Lowe’s season, which did feature a fairly diverse group of contestants, including an Iraqi woman named Selma Alameri. Former Bachelorette Ali Fedotowsky took it upon herself to write a blog entry titled “Selma’s boobs, Roller Derby, and Tierra Drama” in which she makes fun of Selma’s cleavage and criticizes her intent to stay true to her mother’s wishes and not kiss Sean on national television.

(Brief aside/rant: There’s nothing I love more than when someone like Ali, who has reaped the benefits from The Bachelor for all the reasons mentioned above, takes an opportunity to shame a woman of color’s body on a public forum as well as provide ‘cutting-edge’ cultural criticism. No really, it’s like, my favorite thing ever. She should totes come back for another season of The Bachelorette, cause last I checked, season one didn’t work out too great. Oh no. I. didn’t. Oh yes I did! Snap!).

Aside over. When reading the comments in the article below, there was definitely quite a bit of backlash against Ali for, as one person put it, “discussing other cultures in a blog when you don’t know anything about that culture.” Then one person responded to that comment by asking,

Maybe you can help explain why this point of view is wrong. To those who don’t know much about/understand these cultures, Selma is a bit confusing. Where do we draw the line of modesty on national television? I don’t know much about the Muslim faith myself, but I was under the impression that women were supposed to dress more modestly, abstain from drinking alcohol, and not be spooning and caressing on national television. What makes kissing so taboo in relativity to those other things?

Then over at Reality Steve, the blogger who posts spoilers every season, someone responded to his comments calling Selma a ‘tease’ for dressing sexy but not ‘putting out’ by noting,

I take MAJOR issues with you going on and on about how Selma dresses sexy and thus she was a ‘cock tease’ for not putting out with Sean. Wow Steve, so if a woman dresses sexy, she has to put out? That’s how rape culture is perpetuated, FYI.

Who knew a date between Iraqi-born Selma Alameri and Bachelor Sean Lowe would provoke cultural conversations?

Who knew a date between Iraqi-born Selma Alameri and Bachelor Sean Lowe would provoke cultural conversations?

This is why I think pop culture shows can be so awesome, because they can facilitate important conversations on issues like culture and gender that need to be had, just by the nature of their accessibility. While the diversity of blogs in the blogosphere is exciting, there is a potential that certain communities which cater to specific topics will only pull in the interested and invested, ultimately preaching to the choir. I love the idea that having a diverse group of contestants on a show that so many people watch might provoke questions and spark conversations on cultures that are different from theirs in a way that they might not normally engage with. I mean seriously, I love that someone might actually learn something, or at the very least, be inspired to learn, about the Islamic faith after watching an episode where two people go on a date, climb a rock, and toast marshmallows over a campfire. Furthermore, as this blogger put it,

Such a show would inherently promote the idea that black women are desirable. It disrupts the cultural narratives in media—that some see as propaganda—promoting the expectation that African-American women should be perpetually single. It de-emphasizes the standard of a white, fair-haired woman as the epitome of female beauty and worthiness, a standard which fuels billions of dollars in sales of hair dye, hair extensions, and skin-bleaching creams globally. This beauty ideal also contributes to the absence of black women from the ranks of the highest paid models and actresses, where our form of beauty tends to be an occasional exotic trend rather than embraced as an everyday normality.

Scandal proves we're reading for a black leading lady.

Scandal proves we’re reading for a romantically attractive black leading lady.

As she further points out, it is not like Americans aren’t interested in high-profile relationships involving black women, including those of Beyonce and Jay Z, Jada Pinkett-Smith and Will Smith, and of course, Michelle and Barack Obama. Seriously, if Americans are ready for a relationship between two black people in the White House, then why can’t they watch a black woman date on a show that isn’t just comical (read: Flavor of Love)? And if Mike Fleiss is so concerned about ratings, perhaps he should look to the show Scandal, which features an affair between a powerful black broker played by Kerry Washington and a white president that is bringing in eight million viewers an episode.

Pop culture visibility matters, and Misee Harris deserves to be part of it. If she were chosen I would totes watch, and it’s not just because she’s black. It is because she is a professional, talented woman who would add interest due to the nature of her accomplishments. That being said, picking a diverse roster of candidates for her would also add a lot of interest, and it would probably get people talking. And that’s a good thing, right girlfriends?

Want to show Misee some love and support? Check out her Facebook page and her twitter account, and tweet Mike Fleiss @fleissmeister letting him know you want @miseeharris as the next #bachelorette!

And check out this Huff Po live interview with Misee!

An abridged version of this article is now on The Huffington Post.

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The iPhone 5 and the Latest Technology: Why We Consume at the Expense of Others

Just a few months ago, the new iPhone 5 was officially released. Featuring all of the coolest new gadgets and the ‘thinnest, lightest design,’ it sold out in stores in an impressive three days. The commercial for the new phone is so cool, it practically renders all iPhone 4 users as irrelevant in one 30-second swoop. But as I wrote in a recent post on the textile fire in Pakistan that killed 300 people the same week that models were walking down the runway in beautiful designs for New York Fashion Week, sometimes the most glamorous things are a facade for tragedy.

As this brilliant article revealed, the iPhone 5 has been made in China by exploited workers in FoxConn sweatshops. Many of these “underpaid, underaged, and overworked staff” have gone on strike, only for their complaints to be denied and downplayed by Foxconn. As the author notes, our constant complaints and expectations for more ‘perfect’ technology is what drives this labor machine to move faster, to demand more from their workers than is humanely possible. Saturday Night Live recently aired a clever skit that contrasted the ‘first world’ complaints of American tech experts (the phone is too light, I can barely feel it!) with the retorts of the Chinese sweatshop workers. My favorite line? “Oh, twitter’s too slow, you can’t read about Kardashian’s handbag? My brother has a handbag too. He has hand. Keeps in bag. Until he can afford to re-attach!”

While the article continues to lend fresh insight into the labor advocacy that is surrounding this issue, I want to focus here on a simple question: what drives us to buy, and why we are never satisfied with what we have? Is there a certain satisfaction that people in the West gain by being able to whine about trivial things, knowing that the people who are making these technologies are unable to complain half as much over issues that are far more important?

Left: the first person in line to buy an iPhone 5 in England preens with his loot. Right: the family of a young laborer who killed himself at Foxconn (photo courtesy of “Is it Immoral to Own an iPhone 5?”)

Technology has always connoted progress and development in the West. Because technology isn’t available to everybody, those who do not have access to it are often viewed as ‘backwards,’ as ‘behind,’ as ‘less-developed,’ as ‘Third-World.’ For many, technology is a word that refers to the inaccessible, the things they would like to have but cannot afford. It allows those in the West to establish meanings of progress for the world, and to view poorer countries as less capable.

That is not to say that technology does not have cultural and social benefits. It obviously does. The technologies we use can facilitate social movements, create a greater amount of information, help us realize our goals as a ‘global village,’ and forge a “two-way” connection between disparate groups of people. Who can dismiss the important (though arguably overblown) role of new media networks like Facebook in the Arab revolutions last spring? Or how in Afghanistan, entrepreneurs like Roya Mahboob are using software companies to empower women?

Technology can have real positive social and economic effects, but it seems that in the West, it is more often being reduced to its ‘thing-ness,’ to the idea that this conspicuous consumption of more things that may have no tangible impact on one’s life is a symbol of our wealth and privilege. We spend big money on a cool color, on a slightly lighter phone, on marginally faster internet connection. We are obsessed with this notion of newness, with this idea that buying an iPad Mini will make us seem ahead of the curve in some way, when, let’s face it, it is really a slighter bigger iPhone.

And then of course, there is the technological waste that is left behind by our unconscious consumption. Three million tons a year, to be exact. The technology that is dumped in the backyards of people’s homes in China, India, and Africa, ruining both the environment and their lives. How better to reiterate this notion that those in the ‘Third World’ are behind when for many, their primary means of access to technology is the waste tossed out by those in the West?

Electronic Waste dumped in parts of Africa (photo courtesy of DanWatch and Consumers International)

Is that how we are measuring progress now? Not just by what we have, but by how much we can throw away?

We often think of poorer countries as constantly needing to ‘catch up’ with our modes of consumption for the sake of development. I believe however, that the people in these countries who use technology as a means of transforming communities and even resisting oppressive regimes, are actually more progressive than those in the West who have reduced technological innovations to just ‘stuff.’ Take, as another example, the four African girls who created a urine-powered generator that produces six hours of electricity using a single liter of urine as fuel. Unveiled at the Maker Faire in Nigeria, the girls and their ‘pee-generator’ created buzz at an event that was instituted to highlight innovations that actually solve “immediate challenges and problems in society,” rather than, as Next Web put it, “a bunch of rich people talking about how their apps are going to change the world.”

Three of the four inventors of the urine-powered generator (photo courtesy ofEric Hersman)

This holiday season, perhaps we should look to, and start adopting, the slower and more sustainable modes of consumption of so-called developing countries. Why not give a hand-made gift, or practice more conscious consumption if we do not want to abstain completely from purchasing presents for ourselves and our family. What does it mean to be a conscious consumer? Well, perhaps these two examples of different iPhone buyers will help clarify the difference:

Consumer 1: “So I’m going to buy the iPhone 5 today. It just seemed…cool. I mean there’s nothing wrong with my iPhone 4, but my bromance bro got the new one, and it’s so light I just thought it would be dope to see which one we could toss higher. I’ll just trade it in at Apple for a 10% discount. Whatever. When’s the iPhone 6 coming out?”

Consumer 2: I’ve been holding out buying the iPhone, because I don’t really need it. But then my iPod broke, and my cell phone is several years old, so I wanted to get the new iPhone. I heard about all the strikes in China though, so I didn’t want to get the iPhone 5. I’d feel too guilty. So I traded the iPhone 4 for a ton of my DVDs I don’t watch any more. And then I sold my old iPod and cell phone to a green company called YouRenew, which recycles your old technologies without filling up landfills! I love my new iPhone and I plan on keeping it for a loooong time.

I think we all can guess which one is the conscious consumer, peeps.

I know that being socially responsible about our purchases takes a little more time, a little more thought. But if the holiday season is when we give thanks by spending time with our loved ones and sharing gifts, perhaps we should also take the extra time to consider the people behind these gifts, whether it is the workers who make them, or those in the  ‘Third World’ who have to live with them as unrecognizable litter in their backyards.

Want to learn more about the global trade of electronic waste? Check out this amazing twenty minute documentary that won an Emmy for its investigative reporting:

Ghana: Digital Dumping Ground:

Louis CK on why we’re never satisfied with what we have:

Further Reading:

This is the first article of a series that focuses on issues of sustainability and conscious consumerism – stay tuned for more on the subject, including an upcoming interview with eco-fashion founder Marci Zaroff!

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